Larry Harris, THE INSIDE STORY OF CASABLANCA RECORDS author, executive: Mr. Media Radio Interview

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By BOB ANDELMAN

Everybody thinks their life story would make a good book.

I’m here to tell you that’s not true.

But Larry Harris is not everybody. He’s 1970s records mogul Neil Bogart’s cousin—and a co-founder of legendary Casablanca Records—for heaven’s sake, and boy, does he have a great story to tell.

Reading his new book, And Party Every Day: The Inside Story of Casablanca Records, is to be transported back to the wild early days of the rock band KISS and the origins of disco with Donna Summer and Giorgio Moroder.

AUDIO EXCERPT: "KISS was anything but a slam-dunk. The makeup turned everybody off. It made people cringe. We had to find ways around that." 

There are insider stories, anecdotes and revelations about how the music business—and the radio industry—work that will curl your hair. It seems like every page has something fresh, fascinating and sensational, from the mountains of cocaine and payola to who slept with whom. There are mafia implications, too.

Read this book and then decide whether your life story holds up.


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You can LISTEN to this interview with LARRY HARRIS, former Casablanca Records executive and author of AND PARTY EVERY DAY: THE INSIDE STORY OF CASABLANCA RECORDS, by clicking the BlogTalkRadio.com audio player above!

LISTEN TO THIS! Mr. Media's  January 7, 1985 interview with Gene Simmons of KISS


 
Copyright 2009 Bob Andelman. Click here for copyright permissions!

Jules Feiffer, EXPLAINERS cartoonist, author: Mr. Media Audio Interview

The word that comes to mind when I think about the comic strips of Jules Feiffer is this: soliloquy.

My Microsoft Word dictionary - hey, it's convenient! - defines it as “the act of speaking while alone, especially when used as a theatrical device that allows a character’s thoughts and ideas to be conveyed to the audience.”

That sounds about right to me, because the best of Feiffer’s strips – known, incidentally, as “Feiffer” –usually consisted of one character looking at the reader – breaking the so-called fourth wall - and going on for six or eight panels. The results weren’t always funny, but they were always sure to be thought provoking.

This month, Fantagraphics published Explainers, the first of four dense collections of Feiffer’s entire run of weeklies in The Village Voice. This volume of 500 strips is from 1956 through 1966; the strip ran through 1998.

Oh, and he won a Pulitzer Prize for his comic strip, too.

Jules Feiffer is one of comics’ great characters himself. He famously got his start with Will Eisner, creating and drawing a children’s strip called “Clifford” and eventually writing during the last years of “The Spirit”’s original run in the late 1940s and early 1950s.

Besides his long-running strip “Feiffer,” he might be best-known for his children’s work, from illustrating The Phantom Tollbooth and writing the original screenplay for the Robin Williams film, Popeye, to his book The Man in the Ceiling, which is being adapted as a musical by Disney. He also wrote the original screenplay for Carnal Knowledge, starring Jack Nicholson.

Feiffer’s also just completed his memoirs, which will be published in 2009.

I could keep going, but then you’d never get to hear from the man himself.

You can LISTEN to this interview by clicking the BlogTalkRadio.com audio player below!

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© 2008 by Bob Andelman. All rights reserved.

Cheryl Hines, "Curb Your Enthusiasm" actor: Mr. Media Interview, Part 2

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BOB ANDELMAN: Have you dealt with a character like Larry, and I mean a real-life character like Larry before? Had you ever dated someone…

CHERYL HINES: No, never. Never. Most of the people I had dated or been friends with were kind of sunnyside-up people. So it was really fun to meet Larry and live in that world.

ANDELMAN: Cheryl, how different was your approach to the improv in the sixth season than it was in the first season? And, by the way, I’ll point out I do know that you have The Groundlings experience, and it was not like you hadn’t done improv before. But how did your approach and how did it all change for you over six seasons?

HINES: I would say that my approach is the same. When you’re doing an improvised show, it’s really about listening and responding to whatever someone just said so it’s still the same approach. I would say the only thing that may be different is, now that we’ve been doing the show for so many years, I feel like maybe if I said something, and I knew that there was a glitch in it somehow, like maybe I heard an airplane going over or Larry and I overlap dialogue or something, I might stop and say I’m just gonna say this again or let me just take this one more time. I feel comfortable enough to do that, but other than that, it’s pretty much the same process.



ANDELMAN: Now, do you have a particular improv moment that you’re especially proud of? I’ll give you an example while you think about that for a minute. Jeff Garlin had said that his was when he and Larry were in his daughter’s room and the shelf came down, and they just kept going.

HINES: Yeah, yeah. I remember that. Well, there was a scene with me and Larry. I don’t even remember what season it was. We thought that there was going to be a terrorist attack on Los Angeles, and I wanted to stay in town and Larry wanted to leave. And so in the outline, that’s all that was written, really. Then when we actually did the scene, it turned into this very soft-spoken scene where Larry and I were talking, and we’re having this serious conversation, but I felt very funny. I was like, “Well, if something happens, don’t you think we should be together?” And he’s like, “Actually, I think that’s a little selfish. Just because one of us perishes, does that mean the other one has to?” And so we sort of went back and forth and just asking him what he wanted to do. In one take, he said he thought he’d go to a dude ranch. And I think the take that ended up on the air, he said, “I thought I’d go to Pebble Beach.” So just getting through that scene, I don’t know, it unfolded into a scene that was never written but turned out to be very funny, I think.

ANDELMAN: Now, I’m thinking back on our conversation. And so he thought it would be selfish if you stayed together. So if you perished in the crash-something, he would go to Pebble Beach. Well, earlier, you had concerns that he died, and you immediately wanted to talk about the will. So I think it all worked out. There’s some karma there.

HINES: It’s true. None of us are that perfect, are we?

ANDELMAN: Cheryl, how has being on “Curb” affected your other job opportunities?

HINES: Well, it’s opened up a door into film and other television projects for me that I would’ve not had the opportunities otherwise. Or so it seems. I went to some event, this was pretty early on, and Ron Howard was sitting in front of me, and he turned around and said, “Hey, I love your show and you’re so great on the show,” and I thought, “Oh my God, Ron Howard knows who I am!” So it’s been sort of that experience for me. I’ve had some really great filmmakers approach or hand me opportunities because they had seen my work on the show. So it’s huge. For me, it’s changed my life.



ANDELMAN: You co-starred with Robin Williams in RV. And I wondered, again, if the improv experience on “Curb” made that, first of all, made you that much more attractive to producers on that and if it was easier for you to work with someone like Robin because you had been in that environment.

HINES: Probably. Because, certainly, Robin has a reputation for going off-script, shall we say. So when we were shooting, he would go who knows where with it, and I would just roll with it. Who knows? You’ll have to ask Barry Sonnenfeld, but Barry Sonnenfeld is another person that I hit it off with immediately, and we became friends and remain friends. I’m sure improv may’ve been an attractive component, let’s say, to that project.

ANDELMAN: I imagine there’s been actors and actresses who’ve worked with Robin Williams over the years who were not as thrilled with him going off-script.

HINES: If you’re not used to improvising, it’s a very scary place to be because when you’re studying acting, you’re taught to find all of your answers in the script because that’s what it’s all about -- the words in the script. So, to some actors, that’s where the project lives and so when somebody goes off that script and starts doing something else, it can really be jarring.

ANDELMAN: Did you have an experience with Robin where he was basically doing a performance one-on-one with you going off-script?

HINES: Oh, yeah, every take, every take. He’d do probably two takes by the book and then one take he would say, “Can we do one just for me?” And we would do one, and who knows what he’d do. You just have to be ready for anything.





ANDELMAN: Interesting. That’d be an interesting experience. It’d be very different than watching him even in concert than to have him doing a performance three feet away from you.

HINES: He’s so great. I love Robin so much, and he’s really such a nice person. But he is either on, like a 100 percent on, or he’s super quiet. And when he’s on, he’ll perform for himself. He’ll be standing in the lunch line just doing bits, but who cares who listens? But when you’re sitting there eating lunch with him, you do feel like a lot of people would pay a lot of money to hear you right now going off on your French fries or whatever.

ANDELMAN: A completely different topic, though. You’ve found a new use for your celebrity, I understand, promoting the “Quaker Heart Smart Challenge.”

HINES: Yes.

ANDELMAN: I wondered what brought you into that?

HINES: My dad had a heart attack two years ago, and he’s okay now. But he had to have surgery, and it was a very dramatic situation. And we found out he had heart disease, and so it really sort of snapped me into thinking about health and having a healthy heart and all that sort of thing. So it seemed like a good fit for me.

ANDELMAN: What kind of things will you be doing with Quaker to promote this?

HINES: Well, we did a thing with Larry King, actually. We had a breakfast here in New York where we kicked off the Heart Smart Challenge because we want people to go to quakeroatmeal.com to sign up for this challenge. And every person that signs up, Quaker will donate a dollar to the Larry King Cardiac Foundation. So I’m just sort of speaking out about it and letting people know about it.

ANDELMAN: That’s very nice. As someone who has a lot of heart disease in the family, I appreciate that.

HINES: Oh, well good. It’s scary.

ANDELMAN: It is.

HINES: Certainly, it’s definitely helpful to try to be preventative about it.

ANDELMAN: Well, when you see a parent be diagnosed with it or have a heart attack or just suddenly do the family history, then you certainly realize you were more involved in it than you think you are.

HINES: Exactly.



ANDELMAN: There is a movie listed as being in production on your Internet Movie Database listing that sounds like a “Curb Your Enthusiasm” gag, Space Chimps. Can you elaborate?

HINES: Interestingly enough, Space Chimps is being directed by Barry Sonnenfeld. So I’m teaming up with Barry again. It’s exactly what it sounds like, and it’s an animated film. So, yes, I am voicing a chimp that goes to space. Actually, I think it’s going be a really cute movie. You know what? It’ll be a family movie.

ANDELMAN: And you get that it does sound like something that Larry invented?

HINES: Oh, listen, believe me. Yes, I do know that. I can’t wait to promote that movie, by the way.


© 2007 by Bob Andelman. All rights reserved.

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