Jim Melvin, "The Death Wizard Chronicles" author: Mr. Media Interview, Pt. 1

Jim Melvin has been a friend of mine for more than twenty years and, for as long as I’ve known him, his driving interest has been writing an epic fantasy series, something that might find shelf space alongside J.R.R. Tolkien’s Lord of the Rings trilogy.

But life kept getting in the way.

He was married, raised two wonderful daughters, had a full-time job as an editor at the St. Petersburg Times, and did all the other good stuff that eats up time and interferes with achieving those very personal dreams we all entertain.

But that’s life, right?

Well, a few years ago, Jim decided it was now or never. He retired from the newspaper, took his family and savings, and moved to North Carolina. He put everything else aside to fulfill what he believed to be his destiny and nearly two- thousand pages that became The Death Wizard Chronicles.

The first book in the six-book epic fantasy was released in September by Rain Publishing, and a new installment will be delivered to bookstores every thirty days until the entire series is available in February 2008.

It’s a hell of a story, a hell of a series, and Jim Melvin is a hell of a guy.

Death Wizard Chronicles Web Site

Book Excerpt

BOB ANDELMAN/Mr. MEDIA: Jim, for everyone who knows you personally and your story, let me ask this as plainly as possible. What the hell were you thinking? You gambled an awful lot on your imagination.

JIM MELVIN: Well, Bob, I think it was sort of something that built up over 25 years. When I would get in the shower, when I’d drive in the car, when I would fall asleep at night, I would think about this series, and, to me, it felt like this is what Jim Melvin was supposed to do, to create this series. And so many people have dreams in their lives that they’re never able to achieve because of the reality of living and working and raising families and mowing the yard and maybe taking a break at night to watch a little TV that their dreams are set aside. I had an opportunity to live off savings for a couple years and to take this risk and, rather than bank the savings and retire at age 62 and write the book then, I wanted to do it in my late 40s when I had at least a little bit of youth left. I want to be able to look in the mirror and tell myself, “You gave it your best shot.”




ANDELMAN: Now, you can affirm to people that I did not exaggerate here. This has been living inside of you for years. And pretty much everyone who’s known you, family, friends, co-workers has been aware of this, right?

MELVIN: It’s actually been living inside of me probably since I was a little boy. I grew up in St. Petersburg, Florida, and I lived on a little island called Coquina Key. I was lucky to live on a street that had quite a few boys my age. And, like a lot of boys, we played football and baseball, and we ran around all day long, especially during the summer. One thing we did was we played a lot of imaginary games, and we would get together, five, ten of us and play for hours. And a lot of it was based on things like shows of that time period back in the late sixties, early seventies like “The Man from U.N.C.L.E.” and “Lost in Space.” And my imagination was almost as tantalized by fantasy and superheroes and magical powers, and so The Death Wizard Chronicles really were born then.

ANDELMAN: Had you written any of this as a teen, in college, any of that kind of stuff, or did it all come after you retired?

MELVIN: Well, when I was a teenager, about the age, say, of a junior in high school when you’re really finally starting to try to take seriously what you’re gonna do with your life, it just hit me really hard that I wanted to become a best-selling novelist. I remember even back then when I was what, 16, 17 years old, I was going around and telling people that I was going to be a best-selling novelist, and I was gonna make $75 million. And that’s in the mid-1970s, so that’s probably $300 million of today’s dollars.

Then I thought, well, I’m not a rich person now. I need to make a living at least until the first novel hits big. What should I do? Well, I decided then to become a journalist because journalists write. I’ll learn the craft of writing even though, at that point, when I was young, I was so arrogant I really didn’t think I needed to learn the craft of writing.

I actually wrote a novel. It was a horror story, kind of a Stephen King-type thing. Stephen King was just coming out at that point. I shopped it around some, and it came actually relatively close to being published. But, at the time, and all writers hear this, that it’s usually not the first book that hits it big. It’s the second or third book that hits it big. So I wasn’t really concerned that the first book didn’t get published. I knew the second one would, only then I began working 50-hour weeks and six-day weeks. And I got married, and I had kids, and I had a house to take care of, and there never was a second book. But for 25 years, The Death Wizard Chronicles were in my mind, and I did try to attempt to write it several times. I would get 30 or 40 or 50 pages into it, and then just it would stop. I would either lose momentum, or I didn’t like what I was doing. As it turned out, the real reason I didn’t write it wasn’t the excuse of working too hard or having a family, it was that I really, as a writer and as a person, wasn’t ready for it. And journalism and living my life, you meet a lot of people, and you have a lot of experiences, and you learn a lot of things. You do learn the craft of writing. And over the years, I became a more worldly, more mature person, more capable of this. And so actually, in the long run, it really turned out for the best because now is my time.

ANDELMAN: I’m recalling, as you’re saying that, that a couple years before you retired from the newspaper that -- correct me if I’m wrong -- you had taken kind of an interest in Eastern philosophy and things like that. Am I on the right track here?

MELVIN: That’s correct, actually. The Death Wizard Chronicles actually were based on Eastern philosophy even before I knew much about Eastern philosophy. It’s just sort of a coincidence. I got divorced and remarried, and my second wife was a long-time Buddhist, and she introduced me to Buddhism. It was a religion that I really embraced. I embraced the religion in a philosophical sense. It really spoke to me in terms of the tools it offers to live your life. And once that happened, I think all the pieces fell into place.




ANDELMAN: It’s in the very first book, The Pit -- there’s a reference to karma.

MELVIN: Right. Karma, in the Buddhist sense, is the philosophy that all of your actions, whether it good, bad, or neutral, have effects. Good actions create happiness. Bad actions create unhappiness. And neutral actions basically don’t do anything. What you are is an accumulation of your karma.

One of the other aspects of Buddhism that most attracts Westerners to Buddhism is meditation. Through meditation, you’re able to relax, slow your heart-rate, and also begin to see certain truths that are all intertwined in Buddhism. My main character is called a “Death Wizard” because he’s able to meditate so deeply that he literally stops his heart and temporarily dies. And there’ve been studies with Tibetan monks that have shown that when they’re through long stretches of meditation, they can slow their heart rate to like under 10 beats per minute or even less. Well, my character can take that to the extreme, and when he dies, he temporarily enters the realm of death and enriches himself with magical powers.

ANDELMAN: Since you mention the Death Wizard, this might be a good time to tell people listening and reading a little something about the series, six books. And you can’t use the whole half-hour for the synopsis.

MELVIN: Well, it’s difficult to do a fantasy synopsis, and I’ll tell you why. But imagine giving a synopsis for Lord of the Rings. You would say very short people with hairy feet save the world from monsters. That doesn’t sound that interesting. But I’ll give it a shot.

My series is, as you said, it’s six books. It’s about 700,000 words, which sounds like a ton, and I guess is, but there’s a lot of fantasy, very popular fantasy, written now-a-days that is quite a bit longer. For instance, there’s someone named Steven Erikson who’s doing a ten-book series called The Malazan Book of the Fallen, and each one of his books are about 300,000 words. So 700,000 words now-a-days is pretty average in the fantasy world.

But, at any rate, my series involves a character who is called a Death Wizard, and actually throughout the series, he’s actually more accurately called a “Death-Knower.” And he’s called a Death-Knower because he literally dies and returns. He has seen what happens when you die, and none of us, of course, have ever done that. And the crux of being a human being is being aware of our own mortality.

The evil character that he combats throughout the series is called a “Sun God.” And he’s called that because he derives his power from sunlight. If you get into the world of Carl Sagan, suns and stars are the creators of life in the universe. Our bodies are made of things that come from the stars. So this creates a paradox in my series in that the good character is based on death, which human beings traditionally see as being a bad thing, and the evil character is based on life, which human beings traditionally see as a good thing. The entire series revolves around that paradox with a lot going on between the lines.




ANDELMAN: And folks, as I said, he’s been thinking about this for a long time. So, Jim, are any of these characters, are they based on real life? Is there anybody that you want dead?

MELVIN: Well, Torg, my main character is seven feet tall and weighs 300 pounds and is really good-looking so I based him on me. I would say that none of the characters are really based on anyone I know. Obviously, all of your life experiences create characters that you write, but they’re not based on people that I know. But they are characters that, very intensely, I’m sure this happens to most writers, but very intensely, I’ve grown to love them. And in fact, right now, I’m in the editing process of Book Six, and when that completes, I’m gonna feel kind of sad. I’m gonna feel like I’ve lost some family.

The series, for the most part, takes place over a thousand years, but the vast majority of the series really only takes place over about a four-month period. Anytime in fantasy, when you write fantasy, you have to try your best to interweave backstory because backstory creates context that gives your characters meaning. Once I’ve gotten most of the backstory out of the way, it’s really just a rollercoaster ride to the finish of good versus evil, wars, fortresses, castles, monsters, vast amounts of magical power, and it’s kind of sexy too and R-rated. So this is not Harry Potter. This is not recommended for kids or even young adults. This is an adult, R-rated series, which again, a lot of the most popular fantasy now-a-days is.

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©2007 by Bob Andelman. All rights reserved.